Guitar Pedals
29 Pedals - EUNA
The EUNA stands for Elite UNity Amplifier. It is an input driver that replaces a conventional buffer, EUNA is built to protect and condition your instrument's signal to prepare it for whatever you want to do with it. Console grade build, three great sounding filters, and an alt-path insert loop for your classic fuzz and wah circuits that don't want to be buffered. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone.
Even a few true-bypass pedals and 20' of cable can hang out your guitar's output and make it feel mushy and dark. Buffers can help, but they are often very simple circuits that create sonic issues of their own. EUNA is an Elite UNity Amplifier. It is designed to protect and condition your guitar’s signal. Use it in place of an input buffer. Plug directly in, first in the chain. You can safely remove all other buffers after it if you wish. We recommend an output driver at the end of your chain. You can use a conventional buffer, or try our output amplifier OAMP. Plug your guitar directly into EUNA with the shortest cable that is convenient. EUNA features an effects loop that activates when EUNA is OFF. It was designed for use with vintage or vintage-style fuzz pedals. The interaction between your guitar and your fuzz is disturbed by any buffering, so EUNA’s effects loop allows you to switch between a buffered input and guitar-direct-to-fuzz. You can also use the loop to remove your tuner’s buffer from the signal chain. Let us know what other uses you find for the loop! If nothing is plugged in to the loop, the pedal is true-bypass when switched off. EUNA features 29 Pedals’ WHATEVER power supply. The WHATEVER power supply accepts 7.5 to 35 volts of AC or DC (either polarity) with absolutely no change in tone. It’s true!! EUNA has three sweetening circuits - Harmonics, Bright and Low. Low adds a little bit of low end. Not too much, just a little bit for some sweet oomf or to make up for low-end loss in your pedal chain. Bright adds some brightness, and Harmonics pushes the air band where guitar harmonics are. Harmonics adds sweet, tube-like chime to any rig. EUNA preserves "touchyness" and "snap." There is also an increase in effective dynamic range of your signal, and in some cases coil noise is reduced! The custom-tailored load kicks the resonant peak of your pickups out typically about 5 or 10k compared to a load of a few true-bypass switches and reasonable cabling. The pickup’s top-end rolloff is smoother too. You'll feel more chime and less pinchy top-end.
Polytune
Keeley - Compressor
The Keeley Compressor is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out.
1981 Inventions - LVL
1981 Inventions - DRV
The DRV is a highly nuanced preamp/distortion pedal designed by Matt Hoopes (Relient K) in collaboration with Jon Ashley of Bondi Effects. It has a clear and harmonic-rich warmth with guitar specific midrange, which brings a lot of clarity to almost any instrument. The lower gain sections of the pedal is where preamp meets distortion while the high gain settings result in a thick, yet clear, fuzz sound. The DRV has a unique dynamic range and sensitivity, where instead of going clean to slightly overdriven, it goes from clean to slightly distorted.
JHS Pedals - Bonsai
The Bonsai contains 9 different tube screamer overdrive pedals
OD-1 (1977): an overall brighter and slightly higher gain mode that does not utilize the Tone knob
TS-808 (1979): classic low gain with that signature pronounced mid range
TS-9 (1982): TS-808 but with a slightly more pushed low-mid range
MSL, POWER OR L SERIES (1985): Higher gain sound with a more low end and an overall more gooey feel
TS-10 (1986): made famous by John Mayer. Bluesy, crisp, more low end roll off and low gain
EXAR OD-1 (1989): slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel
TS-7 (+MODE) (1999): the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away
KEELEY MOD PLUS (2002): Robert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response
JHS STRONG MOD (2008): Much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs
Hologram Electronic - Microcosm
The Microcosm is a loop pedal with 11 unique granular and looping effects and 44 preset variations.
Strymon - Cloudburst
Strymon - Timeline
Strymon -Iridium
The Iridium is an amp modeler and impulse response pedal. It provides 3 iconic amplifiers with a total of 9 impulse response speaker cabinets
Round Amp = Fender Deluxe Reverb (clean, bright, mid-scooped)
Chime Amp = Vox AC30TB (jangly, bright, chimey)
Punch Amp = Marshall Plexi (high gain, midrange, overdrive)
Powered via Strymon Zuma & Ojai
Zuma is the highest horsepower, most technologically advanced effects pedal power supply of its kind. Zuma offers nine high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Designed to meet the needs of today’s players, each output provides a staggering 500mA of current.
Zuma’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.
Add more outputs to Zuma by connecting Ojai